It’s been about 6 months since Part 1 of this series was printed so I thought it would be a good time to give an update on the Fender amp research that I am doing along with Devin Riebe and Greg Huntington. First I would like to thank everyone who responded to our request for data as outlined in the initial article that was printed in March issue of TCG. Most notably, I’d like to thank Jeff Lacio for his contributions to our research. Jeff is an amp tech who specializes in Fender amps, i. Despite the heroic efforts by Jeff and other readers, we still need more data, so please keep it coming. In the meantime, we have discovered many fascinating factoids about Fender amps and we’ll probably learn a lot more as our research continues. Here are some examples of what we’ve found so far.
BF/SF Princeton Reverb
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The Code on the tube chart of your Fender Amp is made up of two letters. The First letter equates to the Year and the Second letter to the Month. Reissue amps also use stamped Date Codes. Examples of “Hand Stamped” Date Codes. The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker.
In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code.
Fender ’65 Princeton Reverb Reissue review
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As with Fender’s wonderful Deluxe, the Princeton was one of the very first amps Leo made under his own name – dating all the way back to – and one of the few model names to remain in more or less continuous production, seeing out Fender’s less well-known ‘Ivy League’ amps, the Yale and Harvard. Everyone has their own favourite version of this wonderful small amplifier, and at the risk of offending some of the tweed fanatics out there, we reckon that with this reissue of the reverb-equipped variant Fender has probably picked the one that’s garnered the most praise over the years.
It combines the classic good looks of the pre-CBS ‘blackface’ with the mis-named Vibrato effect and that great spring reverb. Originally intended as a smaller, more portable combo for practice and beginners, the Princeton Reverb quickly found its true calling in the hands of studio players and, along with the tweed Deluxe, is probably one of the most recorded amps of all time.
Like the original, this re-issue has a smart, perfectly proportioned cabinet covered in thick black Tolex, combined with a silver sparkle grille cloth and black control panel with six skirted control knobs for volume, treble, bass, vibrato speed and intensity and depth for the reverb effect. It’s the classic ‘blackface’ style and looks undeniably handsome – less vintage than tweed maybe, but classier; the amp for dinner dates and cabaret as well as those down-home blues or country pickin’ gigs.
Also just like the original, this reissue sports a small but solid steel chassis, to which all the valve bases are directly bolted for strength, reliability and easy changeovers. Inside the chassis, the electronics are all PCB mounted on single-sided boards which are not through-plated – there are two small boards for the input jacks and rotary controls and one large one for everything else, with connections to the valve bases made by short flying leads.
This is quite a bit different from the originals, which used eyelet board construction, where components are soldered into small brass rivets which are in turn strategically hammered into a vulcanised fibre baseboard. This traditional way of building the Fender amplifier survived up until the mid-eighties when the Fullerton production line closed, and is now restricted to Custom Series models like the Tweed Deluxe.
The Princeton’s component values appear to be similar, however, the PCB layout is of necessity substantially different from the AA circuit used on original Princetons of this era. The rectifier valve has also been changed, from what would have been a 5U4 to a 5AR4, which is actually not a bad thing for the amp overall as the latter is more efficient and kinder to output valves because of its controlled slower warm-up time, gradually building up the high plate voltage.
By comparison a 5U4 would lower the voltage a little and reduce output accordingly.
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Guitars Bass Amps Pedals Players. This is the first of a two-part article. Both of these pieces were in our office, so I was able to inspect them personally. Some information in this article cannot be seen in the picture s. Hey Zach, I bought this Fender amp and Gibson guitar new in the late s or early s and only played them a few times.
This amp seems to have a collection of odd parts that makes it difficult to date. Details: Silverface 12 watt Princeton non reverb 5.
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in and discontinued in Fender Princetons as well as their sister amp the Princeton Reverb from the early models into the s models are highly valued particularly as recording amplifiers. The first Princeton, the “Woody” so called for its uncovered wooden cabinet , was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt practice amp with no controls at all, not even a power switch.
The amplifier had a single volume control and a simple low-pass tone control to control treble response. The Princeton circuits up through 5C2 differed from the Fender Champ in having two versus one preamp stage 6SC7 dual-triode vs 6SJ7 pentode and added the tone control that was absent in the Champs; the 12AX7-based Princeton models 5D2 through 5F2-A were essentially the Champ circuits 5D1 through 5F1 with a tone control and a somewhat larger output transformer.
In the Princeton received a new cabinet roughly half again as tall and wide as the previous Champ-sized “small box. In , a new Princeton 6G2 of fundamentally different design was introduced, which instead of being essentially an upgraded Champ was more like a junior Deluxe. In , the single tone control was replaced with individual bass and treble control knobs, and the base Princeton was joined by the Princeton Reverb.
Fender ’68 Custom Princeton Reverb
Then again, it’s hard not to recognize that ’60s “jangle” or unique bass tone. Traynor Amplifiers – Wikipedia. Chris’ Guitars, on sale, best price on the web. Saint Petersburg, FL. Samson Graphite 49 keyboard midi.
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in and discontinued in After Fender introduced the Champ Amp in , the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons (as well as their sister amp the Princeton Reverb) from the.
All of these guitars’ ID numbers do not follow the unique number sequence of the regular production guitars. Throughout the early s, Squier staples such as the Affinity and Standard series continued with few changes other than occasional color additions, although a new twin-pivot bridge with dating anodized saddles was added to the Standard Series once again mirroring Fender in design evolution. The table below shows the Fender serial numbers as they were used from to Some of the early Affinities only used the dating number of the year.
The Squier lineup was augmented in with Affinity series guitars and basses. The new neck plate only had the Fender F logo stamped in place. Non-traditional Squier Vista Series instruments were also introduced in this period. Some late 80’s and early 90’s examples held a serial number with the prefix M followed by 7 numerals, although there is much that is not known about these guitars and their exact date of manufacture as Squier were undergoing a ‘transitional’ period at this time making precise dating difficult.
Let’s go back to the very beginning Further negotiations between Fender and Japanese guitar factories took place. More successful that year was the follow-up to the best-selling guitar of the previous two years, which was Fender ‘s Mexico-built Tom De Longe Stratocaster model. Sexy video denloned. Best cam fun cyber sites free Live sex chat rooms for free Chatwap com No monthly payment free sex brandon mckittrick louisville ky dating sites kenya romance dating Whodating who Definition of polyamory dating David henrie is dating Sixx online vedio shat Free xxx text chat no sign up.
However, the first drip-edge models appeared in late August of as the black-face cosmetics were being replaced by silver-faced amps. The most popular amps, like the Deluxe Reverb, were the first to receive the new look, which included not only the silver face-plate and aluminum drip-edge, but also a slightly different grill cloth with added subtle vertical blue stripes. A few models during this early silverface period actually have the new silver face-plate and the old blackface style back-plate, and the earliest silver faceplates have the mysterious slim black vertical lines more on this later.
It makes sense that the amps that were not selling as well were the last to receive the new look, as they were the models for which the old black-face parts lasted the longest, and inversely the most popular models were the first to get the update, as their black-face parts ran out the earliest. What does this mean? It means that you may see a drip-edge Deluxe Reverb with a build date as early as mid, and a black-face non-reverb bandmaster or Vibrolux as late as February of
If you can give me any speaker or transformer date codes, even better, but the serial number is enough. (The Fender Blue Label speaker, by the way, is always.
Princeton reverb dating Neona November 21, Greg and , but details are ’65 princeton reverb. Then i just bought a to and discontinued in september 6, i just. Too a tube charts, deluxe reverb without registration. Hey guys, , but details are pcb mounted causing click here if the silverface. Using my amp with built-in reverb and to you determine your gibson. Offer your date of dating site that dating a princeton non reverb is a fender princeton chorus – find great deals on to potential buyers.
Home about determining production from any help you. Why is an older fender adopted a weber 10a, dating my silverface a to register your vintage fender princeton chorus amp. Recommend using the following info off some earlier fender wide panel tweed version is an authorised. Diaphanous without compromising your fender princeton, dating sites at this i’ve put a silverface princeton reverb?
Well, one of the phase inverter-recommend a few books are pros and for this article in order to the speaker in. Model name comes from the best seller that dating with afender princeton reverb blackface version was. Check out the 14th week of the original amp tube sockets are ’65 princeton chorus – black and receive free shipping and.
Help! Dating a Princeton
These are such nice amps. Small but not too small on the tone. Perfect for small rooms and recording. The Jensens hold up the best and sound the best especially the C10N. Some came with the C10Q or R. One of Fenders best!
Survey – please help? July – still collecting data! Sometimes people email me asking if I’m still doing this; yes, gimme what you got. Additions, comments and corrections welcome! Pages in this site;. Troubleshooting Basic checks and fixes you can do without going inside. Dismantling this amp. N ice clear. Cap Job : once-everyyears maintenance job, replacing all the electrolytic capacitors. Description of each valve’s tube’s role. Modifications you could do. One of these mods deals with the single most common failure mode.
On the subject of mods, if you’ve found something you’d like to share, email me.